One Cartoonist Emerges From Near-death To Help After 9/11
William Hendrix, Jr.
The first time I met cartoonist Rick London, founder of Londons Times Cartoons, he was not yet a cartoonist, but a successful entrepreneur who had founded an interesting bus tour business in 1988. I was a freelance journalist then, and he was getting major media coverage worldwide so I stood in line for an interview. He was quite affable and down to earth.
Rick isa writer as well so we had that bond and it kept us in touch for most of th eyears. But around 1994 or so, we lost touch, but found him again on the net about ten years later. I discovered him by accident. I was just about to complete a story on "humor on the Internet" when I stumbled across his massive site featuring over 8000 cartoons. I could not believe what I was seeing. It was and is more than a labor of love.
I contacted Rick in the summer of 2001, at his Arkansas home of Hot Springs. I asked him if we might conduct an interview and he agreed but was not feeling well and also was busy with his website. He begged to put it off until he could finish up some work he was doing and check on his medical condition. I agreed there was no proble with that.
A week later I called him and there was no answer. I tried several more times and still no answer and finally gave up, figuring he was way too busy to take time with a freelance journalist when he was continuing to get so much media and Internet attention. As it turned out, that was not why he did not respond. On September 10th, he emailed me and asked me to contact him by phone which I did. His voice sounded weak and words a bit slurred. As it turned out, he had just been released from the hospital after suffering a major heart attack. I told him the interview could wait, rest was more important. We spoke a little more, he was lucid and coherent, and explained we could do the interview by phone and email but to only do a few minutes, ten at most, per day, and we could wrap it up in a few weeks. That worked for me.
The following day, around noon EST, he called me and sounded very disturbed. He said he was watching the news and felt he might be having a bad side effect from the medicines given to him because he was hallucinating and feeling that planes were crashing into buildings in Washington and New York. Of course, living in Northern Va., right outside of D.C. I knew were right in the middle of 9/11. At first I hesitated to explain to him what I felt was happening, but knowing him, I also figured he would figure it out sooner or later, so I told him America was under attack, but not to worry, it was not happening where he lived. He said that was not the point, that his only family and friends were still in the D.C area and he needed to contact them. I told him I would do that for him, to rest. By the end of the conversation it was clear he was very upset, and I was worried that his heart may fail again. I told him to please not worry, but was crying slightly on the phone and I could tell he was too. We hung up. I called him back several days later and he was more lucid and had been watching the news. Though we both were still in shock, we understood we were under attack. Rick said he, as a person working in the arts had to do something.
Rick was and is a fighter, with a persistence that cannot go unnoticed. I told him there really wasn't much he could do at this point. We went on with a series of short interviews, of which he kept interrupting me with some sort of idea to at least try to bring the artists and writers of the world together, even if the rest of it was going to be divided. I didn't really understand what he meant at the time.
It would not be too long before I received an email from Rick. It simply had the following link; http://www.londonstimes.us/cat/cat.html .While the Interview was in progress, and he was recovering from a near-fatal heart attack, Rick founded Cartoonists Against Terrorism.
I was astounded. He had brought together cartoonists from around the world, to contribute cartoons they had published on the topic of September 11, 2001. It was project so large and imaginative in scope, I could hardly believe a man with perfect health and all his cognitive functions could have put it together, much less a 45 year old man who was struggling for his life.
His strategy was to numerous contributions to publish a book that would benefit the widows and families of the firefighters who perished on 9/11. He would do so through the Salvation Army. The problem was the cartoons were 90% in four color, and color is expensive to reproduce, plus, most of the major publishers who could pull it off, were in downtown New York. Many were not even up to full-speed with their presses yet; some were not back to work yet. He tried many other angles but nobody would bite. So he decided simply to leave the CAT site up as a permanent monument, and, that perhaps one day, someone would see it, not in his lifetime, and publish the book to help the descendants of the lost firefighters and police of 9/11.
Within a few weeks, a firefighters union noticed the CAT site and awarded it the prestigious "Hot Site" Award, which remains on the CAT site. In addition, one of the cartoons rendered by Johann Wessels hung in the Museum Of Illustrative Art in New York for three months, and then was donated to a station on Long Island that lost more firefighters that day than any other, percentage wise. It still is showcased on their wall as a memorial. It is simply called "Hoses" and it portrays a red, white, and blue, American flag made of fire hoses. Cartoonists from as far away as Canada to Brazil and as close as Oklahoma contributed. It was quite a feat, an incredible project that remains a major icon on the Internet in memory of those we lost on that tragic day, developed by a humble man, Rick London who was struggling for his own life at the time. According to doctors, Rick had lost 60% of his heart function, and still pulled htis off. Not many have that claim.
A few months after the site was up and running, and he was feeling a bit more energy, Rick was contacted by Arab Times Cartoonist Mahmood Kahlil, based in their London office, who is now deceased, asked Rick if he could donate cartoons to the site. Rick is Jewish. Mahmood was Muslim. Rick gave it the okay, but many on his cartoon team were not in agreement. Rick's explanation was that even though we may philosophically disagree with the cartoons, it is important to show the world what freedom of speech is all about. The message being sent out was far more important than whether we agreed or disagreed with this cartoonists point of view. In my opinion, that takes a very open and humble mind to transcend what had happened, and Rick did not censor the man because of his religion or creed, during a time when many others were doing so. In fact, the two became friendly, and chatted often, even though their major disagreement, of course, concerned Israel, they both agreed to disagree and ended each conversation with laughter and a joke or two. Rick was visibly upset upon hearing of Mahmood's untimely death while in his mid-40's. Rick left Kahlil's cartoons on the site and told me they would stay, even though he disagreed with them.
I sometimes visit both Rick's CAT site and his main Londons Times Cartoons site. I have visited many other humor sites on the Internet. One has not had a "worthwhile Internet experience", in my humble opinion, until they have visited Londons Times Cartoons by Rick London. This is one funny website.
Though the name Rick London is just becoming what might be a "household word" his work is far better known, Londons Times Cartoons http://www.londonstimes.us) By Far My Favorite Cartoon Site is Londons Times Cartoons
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