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Let Your Image 'speak' For Itself!

By: Dan Feildman



Let Your Image 'speak' For Itself!

Dan Feildman

The use of photographs as a way of expression has traversed a long and creative route. From scintillating images that were once considered the forte of niche artists, to using images as a captivating means to bring everyday necessities like calendars, e-cards and even online albums to share with the rest of the world, the modern-day perception of this art is indeed multifarious. When it comes to the more unconventional applications of photography, you may often find that a few words of wisdom, or humor as the case may be, often packs in a lot more punch than simply using the images themselves. In the days of yore, this option was considered a veritable taboo, in light of the tacky effect a caption or a tagline brought about. With Photoshop, however, this qualm is wiped away with the plethora of alternatives which have literally revolutionized the way the world views digital image editing.

Photoshop relies on the principle of Anti-Aliasing, which literally blends the text in with its background, so that the final result of your editing efforts is not a scintillating image and a few well-thought over words but an image of which the text and the photograph are fundamental parts. Anti-Aliasing works on the pixels of your text, partially filling in the edges to have them merge with the image. And this remarkable tool also allows you to be flexible and discreet in the extent to which you use it. If you are looking for an effect that is well-blended and yet retains the distinctiveness of the text, the 'Sharp' option allows you just what you're looking for, while the 'Strong' alternative makes the text heavier than the rest of the image.

Experts who have worked with Photoshop ever since its inception recommend that for very small text, which is under the size of 10 to 12 points, you use the setting called 'None', which does not apply the feature at all. This is because at very small sizes or at low resolutions, the anti-aliasing feature modifies text inconsistently, bringing about less than desirable results. To choose an option that isn't as sharp as the 'sharp' option creates, but is also more distinct as compared to the 'smooth' alternative, try the aptly labeled 'Crisp' option. To select, or deselect, anti-aliasing, you first need to go into the 'Type' layer in the Layer Palette and then click on the relevant option from the Anti-aliasing Menu. You can find this menu in the options bar, or in the character palette.

A swift way to reach for the Type tool is with the letter 'T'. This brings the Type Tool options to the Options bar, from where you can use the ones you want to work with. The first two buttons let you choose between creating a Type Mask, or a Type Layer, which you can, depending on what you're more comfortable with. If you have a large amount of text you want to fit into your image, the best way to go about it is to create a Type Layer, click and drag a rectangle or square to size your text and fit it in the section of the image where you want the text to be featured. If you plan to type directly onto the document, you can save on a lot of time and effort by referring to the I-beam that appears on the image. The small horizontal line that cuts across the beam indicates the baseline, which you can use to align your text with the image, even as you're working on it!

If you aren't very certain about the font you want to use for your image, you can simply type it up and then highlight the text to switch between fonts and styles. To format individual segments of the text, you can drag them to the preview section and adjust the style and font until you arrive at an alternative that suits your image perfectly. Photoshop also allows you to vary the color of your text on a per character basis and even apply multiple colors to your text with the use of a single layer. You can either choose from the vast array of colors that the Color-Picker has to offer, or even pick one off the image itself! To do the latter, you can leave the color-picker window open and then move your cursor to the part of the image which has the color you are looking for.

After you're through with working on your image and are ready to showcase it in all its creative glory, you can exit the 'Type' mode with the 'Enter' key on the Numeric keypad. Other ways to move out would be by clicking on any other tool in the toolbox, or the checkmark in the Options bar. For any oversights you want to correct, there is always the 'T' icon in the thumbnail section of the Layer's Palette, double-clicking on which, you can go back to the 'Editing' mode once again. An easy way to resize or reposition the text is to simply click and drag it as per your preference while holding down the 'Shift' key. This prevents your text from getting distorted in relation to the proportions you set out with and if you aren't too particular about the same, you can also stretch your text out, or flatten it by not using the 'Shift' key.

As Photoshop continues to advance and develop, it also expands in the opportunities it offers photography enthusiasts of every level of skill from beginners who are exploring new avenues to experts who seek challenge to rein their creativity. Learning your way about this software can seem an uphill task, in view of the expansive features that it boasts of, and all the possibilities it opens new doors to. If you haven't begun already, master Photoshop today and let your ingenuity startle you with the heights it soars to!

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